Interview: Nick Gentry’s Human Connection

Nick Gentry talks to Artimage about finding human connection through artworks, collaborative projects and his latest exhibition.

Interview: Nick Gentry’s Human Connection

Human Connection, the exhibition

Human Connection is a dual exhibition that features artworks by painter Nick Gentry and South Korean sculptor, Young-Deok Seo. Gentry tells Artimage that while it would be easy to emphasise their differences - one being a sculptor and one a painter - the very spirit of the show defies this: “We are simply people experiencing the world. There is a wild freedom in that.” Both artists use recycled materials in their artworks as a way of engaging with a sense of mindfulness, something that Gentry says both artists are inspired by.

“Mostly though, the works simply sit well together. Sometimes it’s better to just feel what appears to be a shared sense of mystery in the work, rather than try to explain it all. Maybe there is a shared energy - something unseen, perhaps related to the creative process?”

26139 3508

“Fragments of data from millions of people”

Gentry’s artworks use a variety of obsolete, recycled digital materials, from 35mm film negatives to video cassettes, X-ray prints and floppy discs, all of which are no longer deemed to be useful.

“There is something beautiful about the easily forgotten things around us. It’s not for me to define exactly what they represent, but I do have a close connection to them and they speak to me about the age in which we are currently living.”

These collected digital materials are then formed into paintings and portraits that still contain data, but no longer have the familiar forms they once had.

“I love the idea that I can reduce this mass of physical data to a cloud of luminescent, shapeless dust. There is something about the mixing process that I find fascinating. Just one painting can contain fragments of data from millions of people.”

A series of new Nick Gentry artworks created especially for the Human Connection exhibition can be found here, on Artimage.

26137 3508

Collaborating with the world

In order to collect all this data in its varying digital forms, Gentry’s work also involves a ‘social art project’ in which he asks for contributions from the public, from floppy disks to CDs and more. This not only allows him to open his art up to people and help them become more involved, but he also notes that this is an interesting factor in his work when you consider how digitally connected we are.

“I love the fact that people willingly send me these objects from all over the world. That type of collaboration is one of the fantastic opportunities that this new technology has brought us."

26133 3508

Behold the rhinos

As Gentry says himself, his work intrinsically questions our relationship between the natural world and the digital one.

“We are living a sort of dual existence, one in the natural world in which we evolved gradually over millions of years and the other in the digital world which has developed overnight.”

Interested in the development of technology and identity, consumerism and cyberculture, Gentry concludes that it is important to “Find a way to manage that relationship and be closer to nature.”

Which brings us on to his upcoming projects. Working with wildlife conservation charity, Tusk, Gentry created a rhino sculpture that is on public at St Pancras Station until 22 September, as part of The Tusk Rhino Trail. Separately, he is also collaborating with WWF.

Next year, one of Gentry’s public art pieces will celebrate Waltham Forest’s standing as London’s first Borough of Culture. Meanwhile, the artist is also preparing for his first solo show in Paris.

26132 3508

Some Artimage love

When asked why he decided to join Artimage, Gentry replied: “It’s a great way for artists to reach out to more people. Often when I show a painting in a gallery I like to see it as a starting point. The works live on after the physical object and this is a great way to go on sharing the image.”

View our full Nick Gentry collection or browse more images below:

25365 3508

Assemblage Number 1, 2015

25539 3508

Photo Opportunity Number 1, 2016

25399 3508

Glitch, 2015

25357 3508
Dream, 2016

All of Nick Gentry’s images are available for fast track.

How to license an image

To request an image, log in or register for an account.

Need help? Contact our team for expert guidance on finding the right image for your project. Email artimage@dacs.org.uk or call +44 (0) 20 7780 7550. 

Related pages

Images from the top: The Survivors; Combination 1; Flame; Being 1; Devious Designs; Assemblage Number 1Photo Opportunity Number 1; Glitch; Dream.
All images © Nick Gentry. All Rights Reserved, DACS/Artimage 2018